Alfred M. Duca Papers
Alfred M. Duca Papers
Creator: | Alfred M. Duca |
Dates: | c. 1920s-1990s |
Quantity: | 6.0 linear feet |
Acquisition: | Accession #: 1998.37 |
Identification: | A17 ; Archive Collection #17 |
Citation: | [Document Title]. The Alfred M. Duca Papers, [Box #, Folder #, Item #], Cape Ann Museum Library & Archives, Gloucester, MA. |
Copyright: | Requests for permission to publish material from this collection should be addressed to the Librarian/Archivist. |
Language: | English |
Finding Aid: | Peter Brown, 2003 |
Collection Overview
Creator: | Alfred M. Duca |
Dates: | c. 1920s-1990s |
Quantity: | 6.0 linear feet |
Acquisition: | Accession #: 1998.37 |
Identification: | A17 ; Archive Collection #17 |
Citation: | [Document Title]. The Alfred M. Duca Papers, [Box #, Folder #, Item #], Cape Ann Museum Library & Archives, Gloucester, MA. |
Copyright: | Requests for permission to publish material from this collection should be addressed to the Librarian/Archivist. |
Language: | English |
Finding Aid: | Peter Brown, 2003 |
Alfred M. Duca, a native of Milton, Mass., studied at Pratt Institute in New York from 1938 to 1941, and at the Boston Museum School in the early 40s. Mr. Duca’s artistic career expanded quickly, earning him a solid reputation as a painter, sculptor, and inventor.
He is credited with the development of many new technical processes now being widely used in modern painting and sculpture. In 1944, Duca developed the Polymer Tempera process, the forerunner to today’s acrylic paint. In 1959, he became associated with the Massachusetts Institute of Technology working under Ford Foundation and Rockefeller Foundation grants to develop modern technical advances in the casting of metal sculpture.
In the 60’s and 70’s, Duca concentrated mainly on sculpture and was commissioned to produce several major pieces in Boston including “The Boston Tapestry”, at the Prudential Center, “The Computer Sphere” at the JFK Post Office Building, and “The Massachusetts Artifact” at the John McCormack State Office Building.
For the next 15 years, Duca worked with young people across the country on drug prevention, launching national programs, for which Governor Michael Dukakis presented him with a Lifetime Achievement Award. In 1993, Boston’s mayor, Raymond Flynn, issued a proclamation honoring Alfred Duca’s artistic achievements and declared May 12 as “Alfred Duca Day”.
Duca resumed his career as a painter in the early 80’s. His present style is semi-abstract, intense in color and rich in painterly strokes.
His work is in the permanent collection of the Worcester Art Museum, the Addison Gallery of American Art in Andover, and the Fogg Museum at Harvard University. Additional information about the artist can be found in: Who’s Who in American Art; Who’s Who in America; Archives of American Art, Smithsonian Institution.
Alfred Duca was born in 1920 and died in 1997.
Biographical Note
Alfred M. Duca, a native of Milton, Mass., studied at Pratt Institute in New York from 1938 to 1941, and at the Boston Museum School in the early 40s. Mr. Duca’s artistic career expanded quickly, earning him a solid reputation as a painter, sculptor, and inventor.
He is credited with the development of many new technical processes now being widely used in modern painting and sculpture. In 1944, Duca developed the Polymer Tempera process, the forerunner to today’s acrylic paint. In 1959, he became associated with the Massachusetts Institute of Technology working under Ford Foundation and Rockefeller Foundation grants to develop modern technical advances in the casting of metal sculpture.
In the 60’s and 70’s, Duca concentrated mainly on sculpture and was commissioned to produce several major pieces in Boston including “The Boston Tapestry”, at the Prudential Center, “The Computer Sphere” at the JFK Post Office Building, and “The Massachusetts Artifact” at the John McCormack State Office Building.
For the next 15 years, Duca worked with young people across the country on drug prevention, launching national programs, for which Governor Michael Dukakis presented him with a Lifetime Achievement Award. In 1993, Boston’s mayor, Raymond Flynn, issued a proclamation honoring Alfred Duca’s artistic achievements and declared May 12 as “Alfred Duca Day”.
Duca resumed his career as a painter in the early 80’s. His present style is semi-abstract, intense in color and rich in painterly strokes.
His work is in the permanent collection of the Worcester Art Museum, the Addison Gallery of American Art in Andover, and the Fogg Museum at Harvard University. Additional information about the artist can be found in: Who’s Who in American Art; Who’s Who in America; Archives of American Art, Smithsonian Institution.
Alfred Duca was born in 1920 and died in 1997.
The majority of Al Duca’s papers are in the archives of the Smithsonian Institute. Upon the sale of his house in Annisquam, after his death, the new owners discovered numerous cartons containing Duca’s papers, correspondence, slides, and an inventory of material that went to the Smithsonian. A call to the Cape Ann Historical Association resulted in their acquisition. The material obtained completely covers his two careers – the first as an artist, and the second as a community activist working on behalf of disadvantaged children.
Scope and Content of the Collection
The majority of Al Duca’s papers are in the archives of the Smithsonian Institute. Upon the sale of his house in Annisquam, after his death, the new owners discovered numerous cartons containing Duca’s papers, correspondence, slides, and an inventory of material that went to the Smithsonian. A call to the Cape Ann Historical Association resulted in their acquisition. The material obtained completely covers his two careers – the first as an artist, and the second as a community activist working on behalf of disadvantaged children.
Series I: The Artist
a. Polymer-tempera process
i. Sculpture proposals
1. Prudential
2. State Office
3. Sacco and Vanzetti
4. M.I.T.
5. J.F.K. Post Office
6. Promotional materials
7. Smithsonian records
Series II: The Community Activist
a. Channel One
b. Gloucester Experiment
i. Writings
ii. Speeches
iii. Teacher proposals
Series III: Visual and audio
a. Artistic work
b. Family
Series Description
Series I: The Artist
a. Polymer-tempera process
i. Sculpture proposals
1. Prudential
2. State Office
3. Sacco and Vanzetti
4. M.I.T.
5. J.F.K. Post Office
6. Promotional materials
7. Smithsonian records
Series II: The Community Activist
a. Channel One
b. Gloucester Experiment
i. Writings
ii. Speeches
iii. Teacher proposals
Series III: Visual and audio
a. Artistic work
b. Family
Box #1, Series I:
Folder 1: Polymer-tempera.
Folder 2: Polymer-tempera.
Folder 3: Polymer-tempera
Folder 4: Correspondence – Rockport Art Assoc.,; speeches
Folder 5: Correspondence – miscellaneous
Folder 6: Correspondence – miscellaneous
Box #2, Series I:
Folder 1: Proposal – Boston Marathon Finish line; Noros (?) – Boston Tapestry - Prudential; correspondence – Plymouth Plantation
Folder 2: Correspondence – Exhibitions; Decordova Museum
Folder 3: Correspondence – Casting procedures; promotional material
Folder 4: Prudential controversy; removal of tapestry sculpture
Folder 5: Vancouver exhibit; proposals – Prudential, State Office Building, Sacco & Vanzetti
Folder 6: Proposal, Fishermen’s Wives sculpture; proposal M.I.T.
Box #3, Series I:
Folder 1: Biography, picture price list
Folder 2: Wills/trusts; photo –statuary work
Folder 3: Contract – State House; research techniques; miscellaneous – speech/letters
Folder 4: Promotional material for grants
Folder 5: Proposal – Prudential Center observation deck
Folder 6: Biography writings
Box #4, Series I:
Folder 1: Extended biography; exhibits listing
Folder 2: Background of Polymer-tempera
Folder 3: Teaching art for children
Folder 4: Research in art casting
Folder 5: The Boston Tapestry
Folder 6: Miscellaneous items.
Box #5, Series I:
Folder 1: Smithsonian records
Folder 2: Smithsonian Archival Chronology documents
Folder 3: Chronology of Duca career
Box #6, Series II:
Folder 1: Medical records; poems to Veronique
Folder 2: Gloucester Experiment; proposal – burial grounds restoration
Folder 3: Gloucester Experiment – burial ground; Artists for Humanity
Folder 4: Gloucester Experiment & Channel One
Folder 5: Channel One
Folder 6: Miscellaneous – community activist
Folder 7: Working with “at risk” youth 1975-1982
Box #7, Series II:
Folder 1: Teacher program proposal
Folder 2: Channel One
Folder 3: Aids benefit sale
Folder 4: Community development
Folder 5: Aids-Arts project
Box #8, Series II:
Folder 1: Channel One report, part 1, 1980
Folder 2: Channel One report, part 2, 1980
Folder 3: Correspondence Channel One
Folder 4: Correspondence Channel One
Folder 5: Proposal – teacher program
Folder 6: Correspondence Channel One
Box #9, Series II:
Folder 1: Community philosophy
Folder 2: Writings – Channel One; Gloucester Experiment
Folder 3: Writings – speeches
Folder 4: Writings – speeches, community development
Box #10, Series II:
Community Development: Reports of Restoration of Bayview Cemetery
Time Magazine May 28, Sept 3, 1928
Life Magazine Oct 7, Nov 25, 1920
Sketch plan of Boston Tapestry
Poems
Family photographs
Drawings
Magazines
Film
Citations
Box #11, Series III:
10 slide trays:
1: Family slides
2: Art slides
3: Art slides
4: Art slides
5: Community Development slides
6: Community Development slides
7: Community Development slides
8: Community Development slides
9: Miscellaneous slides
10: Gloucester Experiment slides
Box # 12, Series III:
Miscellaneous loose slides
Box #13, Series III:
Miscellaneous loose slides
3 Audio Tapes
1 Carved wood block
Box # 14, Series III:
Miscellaneous slides Audio Tape
Binders, Series III:
5 binders with slides in sleeve pages
1: Miscellaneous & Plymouth Plantation
2: Waves of Light
3: Boys Clubs
4: Art – Prudential Center – Boston Tapestry
5: Art 1 binder Miscellaneous photographs of art work
Container List
Box #1, Series I:
Folder 1: Polymer-tempera.
Folder 2: Polymer-tempera.
Folder 3: Polymer-tempera
Folder 4: Correspondence – Rockport Art Assoc.,; speeches
Folder 5: Correspondence – miscellaneous
Folder 6: Correspondence – miscellaneous
Box #2, Series I:
Folder 1: Proposal – Boston Marathon Finish line; Noros (?) – Boston Tapestry - Prudential; correspondence – Plymouth Plantation
Folder 2: Correspondence – Exhibitions; Decordova Museum
Folder 3: Correspondence – Casting procedures; promotional material
Folder 4: Prudential controversy; removal of tapestry sculpture
Folder 5: Vancouver exhibit; proposals – Prudential, State Office Building, Sacco & Vanzetti
Folder 6: Proposal, Fishermen’s Wives sculpture; proposal M.I.T.
Box #3, Series I:
Folder 1: Biography, picture price list
Folder 2: Wills/trusts; photo –statuary work
Folder 3: Contract – State House; research techniques; miscellaneous – speech/letters
Folder 4: Promotional material for grants
Folder 5: Proposal – Prudential Center observation deck
Folder 6: Biography writings
Box #4, Series I:
Folder 1: Extended biography; exhibits listing
Folder 2: Background of Polymer-tempera
Folder 3: Teaching art for children
Folder 4: Research in art casting
Folder 5: The Boston Tapestry
Folder 6: Miscellaneous items.
Box #5, Series I:
Folder 1: Smithsonian records
Folder 2: Smithsonian Archival Chronology documents
Folder 3: Chronology of Duca career
Box #6, Series II:
Folder 1: Medical records; poems to Veronique
Folder 2: Gloucester Experiment; proposal – burial grounds restoration
Folder 3: Gloucester Experiment – burial ground; Artists for Humanity
Folder 4: Gloucester Experiment & Channel One
Folder 5: Channel One
Folder 6: Miscellaneous – community activist
Folder 7: Working with “at risk” youth 1975-1982
Box #7, Series II:
Folder 1: Teacher program proposal
Folder 2: Channel One
Folder 3: Aids benefit sale
Folder 4: Community development
Folder 5: Aids-Arts project
Box #8, Series II:
Folder 1: Channel One report, part 1, 1980
Folder 2: Channel One report, part 2, 1980
Folder 3: Correspondence Channel One
Folder 4: Correspondence Channel One
Folder 5: Proposal – teacher program
Folder 6: Correspondence Channel One
Box #9, Series II:
Folder 1: Community philosophy
Folder 2: Writings – Channel One; Gloucester Experiment
Folder 3: Writings – speeches
Folder 4: Writings – speeches, community development
Box #10, Series II:
Community Development: Reports of Restoration of Bayview Cemetery
Time Magazine May 28, Sept 3, 1928
Life Magazine Oct 7, Nov 25, 1920
Sketch plan of Boston Tapestry
Poems
Family photographs
Drawings
Magazines
Film
Citations
Box #11, Series III:
10 slide trays:
1: Family slides
2: Art slides
3: Art slides
4: Art slides
5: Community Development slides
6: Community Development slides
7: Community Development slides
8: Community Development slides
9: Miscellaneous slides
10: Gloucester Experiment slides
Box # 12, Series III:
Miscellaneous loose slides
Box #13, Series III:
Miscellaneous loose slides
3 Audio Tapes
1 Carved wood block
Box # 14, Series III:
Miscellaneous slides Audio Tape
Binders, Series III:
5 binders with slides in sleeve pages
1: Miscellaneous & Plymouth Plantation
2: Waves of Light
3: Boys Clubs
4: Art – Prudential Center – Boston Tapestry
5: Art 1 binder Miscellaneous photographs of art work