John Sloan (1871–1951)
A native of Pennsylvania, John Sloan moved to New York City in 1904 and joined in with a group of artists who came to be known as The Eight. Later, the group would be referred to as The Ashcan School because of their interest in depicting everyday scenes including the seamier sides of city life. During the summer of 1914, Sloan sought refuge from the heat of New York in Gloucester, renting a small red cottage at the head of Rocky Neck. He would return to the "little red cottage" for four more summers, drawing a circle of other artists around him including Stuart Davis, Agnes M. Richmond and Charles Allan Winter and his wife Alice Beach Winter, before moving on to Santa Fe.
At the age of forty I realized that I needed some new way to keep at work. I saw that the European artists kept themselves going, with any kind of subject, landscape or portrait or still life (in any style). This method produces more work, more 'studies;' but it also leads to discovery of new motivations. I made up my mind to save enough money to take a few months off to paint landscapes in Gloucester.
After seeing the Armory Show in New York City in 1913, John Sloan began looking for a new painting environment. He later recalled: "My friend Charles Winter encouraged me to spend some time in Gloucester where we rented a little red cottage (in 1914)." Sloan returned to Gloucester and to the red cottage for four subsequent summers. The house, which still stands today on East Main Street near the entrance to Rocky Neck, quickly became a magnet for other artists including Stuart Davis, Paul Cornoyer, Agnes M. Richmond, and Paul Tietjens.
GLOUCESTER DAYS
In 2015 the Museum mounted an exhibition of Sloan's landscape paintings done during the summers Sloan spent in Gloucester from 1914 to 1918. Gloucester Days, included 4 paintings from the Museum's collection along with 35 other works from lenders, and was on view here from July 11 to November 29, 2015.
PERMANENT COLLECTION
The Cape Ann Museum has six paintings by Sloan in its collection: Old Cone (Uncle Sam) (1914), Red Warehouses at Gloucester (1914), Sunflowers on Rocky Neck (1914), Glare on the Bay (c. 1914), Going Barefoot (Sally Stanton, age 12) (1915) and Dogtown, Ruined Blue Fences (1916).
John Sloan (1871–1951)
A native of Pennsylvania, John Sloan moved to New York City in 1904 and joined in with a group of artists who came to be known as The Eight. Later, the group would be referred to as The Ashcan School because of their interest in depicting everyday scenes including the seamier sides of city life. During the summer of 1914, Sloan sought refuge from the heat of New York in Gloucester, renting a small red cottage at the head of Rocky Neck. He would return to the "little red cottage" for four more summers, drawing a circle of other artists around him including Stuart Davis, Agnes M. Richmond and Charles Allan Winter and his wife Alice Beach Winter, before moving on to Santa Fe.
At the age of forty I realized that I needed some new way to keep at work. I saw that the European artists kept themselves going, with any kind of subject, landscape or portrait or still life (in any style). This method produces more work, more 'studies;' but it also leads to discovery of new motivations. I made up my mind to save enough money to take a few months off to paint landscapes in Gloucester.
After seeing the Armory Show in New York City in 1913, John Sloan began looking for a new painting environment. He later recalled: "My friend Charles Winter encouraged me to spend some time in Gloucester where we rented a little red cottage (in 1914)." Sloan returned to Gloucester and to the red cottage for four subsequent summers. The house, which still stands today on East Main Street near the entrance to Rocky Neck, quickly became a magnet for other artists including Stuart Davis, Paul Cornoyer, Agnes M. Richmond, and Paul Tietjens.
GLOUCESTER DAYS
In 2015 the Museum mounted an exhibition of Sloan's landscape paintings done during the summers Sloan spent in Gloucester from 1914 to 1918. Gloucester Days, included 4 paintings from the Museum's collection along with 35 other works from lenders, and was on view here from July 11 to November 29, 2015.
PERMANENT COLLECTION
The Cape Ann Museum has six paintings by Sloan in its collection: Old Cone (Uncle Sam) (1914), Red Warehouses at Gloucester (1914), Sunflowers on Rocky Neck (1914), Glare on the Bay (c. 1914), Going Barefoot (Sally Stanton, age 12) (1915) and Dogtown, Ruined Blue Fences (1916).
Selected Works by John Sloan
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Dogtown, Ruined Blue FencesArtist: John Sloan Date of Work: 1916 Medium: Oil on canvas Accession Number: 2736.2 Credit Line: Gift of Dr. & Mrs. Hollon W. Farr, 1991 Collections: Land and Seascapes |
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Glare on the BayArtist: John Sloan Date of Work: c. 1914 Medium: Oil on canvas Accession Number: 2009.51.11 Credit Line: Gift of the estate of Robert L. French, 2009 Collections: Land and Seascapes |
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Old Cone (Uncle Sam)Artist: John Sloan Date of Work: 1914 Medium: Oil on canvas Accession Number: 2736.1 Credit Line: Gift of Dr. and Mrs. Hollon W. Farr, 1991 Collections: Faces of Cape Ann: Portraits |
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Red Warehouses GloucesterArtist: John Sloan Collections: Land and Seascapes |
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Sunflowers Rocky NeckArtist: John Sloan Collections: Land and Seascapes |
View CAM's Rights and Reproduction policy
Selected Works by John Sloan
|
Dogtown, Ruined Blue FencesArtist: John Sloan Date of Work: 1916 Medium: Oil on canvas Accession Number: 2736.2 Credit Line: Gift of Dr. & Mrs. Hollon W. Farr, 1991 Collections: Land and Seascapes |
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Glare on the BayArtist: John Sloan Date of Work: c. 1914 Medium: Oil on canvas Accession Number: 2009.51.11 Credit Line: Gift of the estate of Robert L. French, 2009 Collections: Land and Seascapes |
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Old Cone (Uncle Sam)Artist: John Sloan Date of Work: 1914 Medium: Oil on canvas Accession Number: 2736.1 Credit Line: Gift of Dr. and Mrs. Hollon W. Farr, 1991 Collections: Faces of Cape Ann: Portraits |
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Red Warehouses GloucesterArtist: John Sloan Collections: Land and Seascapes |
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Sunflowers Rocky NeckArtist: John Sloan Collections: Land and Seascapes |
View CAM's Rights and Reproduction policy